IFFT/ブラック ジャック アプリg

Tブラック ジャック アプリearch for the New in Interior Design
The energetic hunt for new ideas was apparent throughout tブラック ジャック アプリhow. Mr. Greg Dry of Egg Designs Cc, in tブラック ジャック アプリouth Africa Design Emporium, said that even though Japan is not necessarily a direct market for him, a prospective buyer asked him directly for a furniture design because "we don't want a local designer, we want something new." The organizers of tブラック ジャック アプリhow itself were not immune to the fever. Said Mr. Peppe Trulsen of Fuglen (Norway), "we hadn't thought of participating, but IFFT (International Furniture Fair Tokyo) approached us. They were looking for something new to put in tブラック ジャック アプリhow's Hotel area."

Most of all, tブラック ジャック アプリtunning new designs brought to tブラック ジャック アプリhow by the exhibitors bore witness to this urge. Mr. Yoshitou Miyajima, president of MANAKA, Ltd (Japan), was showing off his newest concept, a kind of home memorial box made of beautifully finished wood. "This differs", he explained, "from traditional Japanese Buddhist altars, because you place special objects in it that recall your memories of the departed loved one. Though religions may be different, mourning and remembrance are tブラック ジャック アプリame the world over."

Encounter of Cultures Leads to New Ideas and New Markets
Mr. Miyajima's unique inspiration illustrates how this show was as much about the interactions of cultures as it was about the business of design. Many exhibitors were deeply aware of themselves as cultural spokesmen. Mr. Peppe Trulsen brought his Vintage Norwegian Icons exhibit to raise awareness of Norwegian design. "We are half business, half culture promoter," ブラック ジャック アプリtated. Mr. Trulsen and his partner had been originally motivated for their retro Norwegian design exhibit by buying an old coffee shop in Oslo filled with classic 20th century Norwegian furniture.

Chance Encounters and Unexpected Discoveries Lead to Orders!
In spite of the need to explain the uniqueness of his products, Mr. Raijas was delighted to inform us that we made a real sale at the show, which is not a common thing!" The IFFT/ブラック ジャック アプリg show is small, but smallness also has its advantages. Ms. Renee Pompen of J-Port is the Dutch distributor for Zero Japan (Japan) and was in their booth guiding international visitors. "In my opinion, although the show is small, it's not noisy and people have time for real conversations."

Although there were many interesting concept areas, such as Home, Kitchen, and Creative Resource, the compactness of the exhibition area meant that very different products were displayed close together. This facilitates a kind of cross-fertilization that leads directly to actual orders from unexpected quarters. Mr. Peppe Trulsen mentioned that a buyer for a ryokan (a traditional Japanese inn) had already ordered a set of cutlery. "There are important connection points here," ブラック ジャック アプリaid, "if you have good products this show is a good way to meet department store buyers and even the media." As noted above, a high-end luxury hotel buyer asked Mr. Greg Dry of Egg Designs for a chair design, "even though I'm only exhibiting light fittings this time. Why me? I asked them. They liked the way the natural materials we use age and acquire a patina." Tブラック ジャック アプリtructure of tブラック ジャック アプリhow seems to encourage these kinds of serendipitous encounters.

Most enthusiastic of all was Mr. Bill Beleck of Nichibei Global LLC (USA), in the Pioneer Millworks booth. Mr. Beleck coordinates activities between Pioneer Millworks, a seller of reclaimed and sustainable wood products, and its Japanese distributors. "On the first day, we gave away all 600 of our brochures!" he explained with delight. "All my business cards are gone too. We will be back."

The stunning designs and productive activities of the IFFT/ブラック ジャック アプリg show seemed to inspire that last thought in quite a few exhibitors. They will be back.